This series of photographs explores the journey of self-discovery and transformation through a personal lens. The diary entries serve as a reflection of the artist's experiences, capturing moments of uncertainty, change, and introspection.
The series begins with images taken in the final days of the artist's previous home, the "House of Valanjak," symbolizing the impending end of familiarity. Concurrently, the artist ends a romantic relationship, which is visually represented through distorted images, highlighting the impact of both presence and absence.
In the following section, the artist consistently and purposefully collects photographs, examining the arrangement and connection (or lack thereof) between themselves and household objects. The exploration of these relationships delves into the concept of home and the artist's attempt to create a sense of belonging.
Seeking solace from the overwhelming realities, the artist embarks on a series of journeys to different places such as Ahvaz, Shiraz, Georgia, Spain, Sweden, and Germany.
The frames captured, during the series showcase remnants of meals, symbolizing the artist's struggle to find time for self-care amidst the chaos. The presence of other individuals in the frames reflects the interplay between personal and social dynamics, offering glimpses into interactions without revealing their identities.
Parallel events unfold alongside the artist's travels, representing the ongoing flow of life juxtaposed with the mundane aspects of their role as a municipal employee. The persistent presence of a burn wound on the artist's leg signifies their journey of healing and transformation, with the artist acting as an observer of their own experiences without actively addressing their wounds.
Upon returning home from a hospital stay, the artist finds that everything has changed, sparking a newfound sense of purpose and direction. Subsequent frames focus on a separate body of work that explores the impact of one's living environment on mental and physical well-being. The transition from digital photography to film signifies a shift in focus, capturing a less vibrant and more introspective collection that incorporates the presence of individuals.
Throughout the series, the artist contemplates the exchange and transformation of their surroundings, acknowledging individual strengths and limitations. Fear becomes a tool of control, encompassing the fear of failure, darkness, loneliness, and loss. The photographs serve as tangible remnants of what has been lost, representing the seconds of the artist's life that they have given away.
Ultimately, the series examines the artist's interaction with the world and the relationships between themselves and society. It aims to depict the artist's role in this world and the intricate connections they have with the community, emphasizing the need for understanding and portraying the depth of their bond. Through photography, the artist engages in a dialogue with the world, capturing and reflecting its essence.